The lectures: |
Margarith Rukhyan, Erivan/Armenia Ph.D. of Art |
Cognition of the Tradtion. The Feedback |
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Heinz-Erich Gödecke, Hamburg/Germany Composer, Musician |
Avet Terteryan and the West European Avant-Garde |
Karine Khudabashyan, Erivan/Armenia Ph.D. of Art |
Avet Terteryan and Poetic Language |
Sergey Sigitov, St. Petersburg/Russia Ph.D. of Art |
The Most Innovative Findings of Avet Terteryan and Modern Philosophy |
Margaritha Katunyan, Moskau/Russia Ph.D. of Art, Docent |
Singing, Game and Prayer. The Gregorian Plainsong (Cantus) in the Works of Vladimir Martynov |
Olga Pautova, Ekaterinburg/Russia Art Director of the Creative Group “Art Fabrik” |
Two Styles of Interpretation of Choreographic Incorporation of Avet Terteryan’s 5th Symphony |
Ruben Sargsyan, Erivan/Armenia Composer, Professor |
The Christian and Pagan Principles in Avet Terteryan’s Works |
Karine Jaghatspanyan, Erivan/Armenia Doctor of Art, Professor |
The “Dedicatio” of Suren Zakharyan, dedicated to Avet Terteryan |
Olga Viktorova, Ekaterinburg/Russia Composer, Lecturer of Humanitarian University |
The Guidelines of Avet Terteryan |
Mher Navoyan, Erivan/Armenia Ph.D. of Art, Docent |
On a Musical-Theoretical Item in Avet Terteryan’s Works. |
Elena Dolinskaya, Moskau/Russia Doctor of Art, Professor |
Glinka and 20th Century: Selected Parallels |
Arax Saryan, Erivan/Armenia Ph.D. of Art, Professor |
Avet Terteryan and The Composer’s House |
Irina Kostenich, St. Petersburg/Russia Director of Pavel Florensky Center |
Pavel Florensky, Space and Time and Avet Terteryan’s Works |
Rajko Maksimovic, Belgrade/Serbia Professor for Composition and Orchestration |
Serbian music as the result of a clash of Oriental (Byzantine) heritage and Western Music. |
Michael Kokzhaev, Erivan/Armenia Composer, Professor |
The Parallel Worlds of Avet Terteryan |
Nelly Avetisyan, Erivan/Armenian Professor |
The Ballet “Richard the Third” by Avet Terteryan |
Lidia Ptushko, Nijni Novgorod/Russia Ph.D. of Art, Docent |
Three Types of Musical Development Process: On Dramatic Composition of Avet Terteryan’s Symphonies |
Henrik Grigoryan, Erivan/Armenia Ph.D. of Philosophy, Professor |
The Creative Time and Sound Meaning Construction in Avet Terteryan’s Symphonies |
Ekkehard Klemm, Meißen/Germany Director of K.M. von Weber Music High School, Conductor at Dresden State Theatre and Munich Gärtnerplatz-Theatre |
New View and Analysis. Links Between Avet Terteryan’s Symphonies and his Opera “Earthquake” |
Gohar Shagoyan, Erivan/Armenia Chief Editor of the Magazine “Yerazhshtakan Hayastan” |
Several Items of the Opera “Earthquake” |
Ruben Smbatyan, Erivan/Armenia Ph.D. of Art, Docent |
“Perpetuum Mobile” in the Violine Works of Armenian Composers |
Tatevik Shakhkulyan, Erivan/Armenia |
The Rhythmic Fugue of Avet Terteryan’s 5th Symphony |
Hasmik Apinyan, Shirak/Armenia Research Assisteant of Shirak Armenological Research Centre of NAS, RA |
Armenian Folk Music als Revelation of the National Factor in A. Terteryan’s Works |
Hasmik Stepanyan, Shirak/Armenia Research Assisteant of Shirak Armenological Research Centre of NAS, RA |
Works by A. Terteryan as a Central Topic for Armenian Musicological Research |
Armenuhi Martirosyan, Erivan/Armenia |
The Influence of Music on Different Periods of a Child’s Development |